A detective hunts a killer who is removing girls hearts. When his own fiancée falls victim to the killer, the detective discovers the otherworldly intentions of the killer and is helped from beyond the grave by his fiancée.
A homicide detective hunts a killer who is literally taking girls hearts. When his own fiancée falls victim to the killer, the detective discovers the otherworldly intentions of the killer and is helped from beyond the grave by his fiancée.
As with many of Ryuhei Kitamura's film, Sky High displays plenty of great ideas (a serial killer ripping people's hearts out, the gates of Rage, where murdered people go and are given three choice - heaven, earth, or hell), an genre bending story (sword play, horror, sci-fi, love story, serial killer) and plenty of visual style. However, Sky High also fall foul of Ryuhei Kitamura's usual faults. For this type of film, and the way it is shot, it is just too long, running at over two hours. Kitamura tries to give the story depth and meaning (failing most the time), when it should be a great popcorn flick with less depth. Take his two major success - Versus and Azumi. Here there is very little plot, just great action. Alive, another of Kitamura's films, which is very similarly themed to Sky High, also suffers these faults. Given the right script, Kitamura will make a genuinely great film (he almost did it with Versus), but until then, he need someone to come and cut his film down.
Although this isn&#39;t like &#39;Versus&#39; or &#39;Azumi&#39;, it plays along the same sort of line with the action and story. <br/><br/>The performances from the cast is intriguing; some are brilliant, full of life and inspiration, while some are undemanding, dragging the film along in a slow pace. <br/><br/>The action&#39;s incredibly exhilarating, filled with impressive sword fights and stunning magic effects but this gets sadly overshadowed by the film&#39;s slow pace and some uninteresting characterisation.<br/><br/>Overall, this is a visually adequate but slight action thriller with a good amount of action to make this overly bearable for fans of the &#39;Kill Bill&#39; series.

Both versions can be found on the Japanese special edition. The Director&#39;s Cut by Kitamura was made to strengthen the characters background because 95% of the cuts are dialogue cuts, the rest only for optical character improvements. The Director&#39;s Cut does not have any English subtitles.
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